January 07 | BiPoC-only: The show on 07.01 is exclusively for people who position themselves as BIPoC. BIPoC is an abbreviation for Black, Indigenous and People of Color, i.e. people affected by racism or anti-Semitism. Including Black, Indigenous, (post-)migrant people as well as Sinti*zze, Rom*nja, Jews, Latino/a/x, East/South Asian, Hawaiian and Pacific Islander. etc. Everyone is invited to the other performances on 05.01 and 06.01.
Drawing inspiration from the belief that masks can transcend the identity and evoke altered states of consciousness, this performance delves into the depths of the self, venturing beyond the familiar. Through movement, sound and visuals, this piece investigates the hybrid nature of identity, revealing how masks can conceal, disclose, protect and be used to protest. It explores desires, fears and vulnerability in a digital age, where unmasking becomes a symbol of perpetual change; challenging our perceptions of reality. NuReal Dust conjures contrasting moods, from introspective contemplation to the ecstasy of anonymity, inviting the audience to find their own narratives within.
If any questions remain from the following information, please feel free to contact Hannah Aldinger at or 030 27 89 00 35. Please note that details may change by the day of the event. Therefore, if you find out after you have purchased your ticket that the performance is no longer accessible to you, you can contact us for a ticket return at or 030 27 89 00 45 until 5 business days after the event (Monday through Friday between 10am and 6pm).
Duration
- 45 minutes
Language
- English spoken language
Light
- The lighting situation on stage is rather dark.
- There are some floor lights which can be blinding.
- Video projections are used. The projections show Nasheeka’s face with and without masks.
Sound
- The last music track can be a little intense and overstimulating.
Other effects
- The room will be a bit foggy when the audience enters the room.
Audience
- The audience is seated in a U-shape around the stage, with chairs and cushions on the floor.
- 2 beanbag seats bookable according to availability
- 2 wheelchair seats bookable according to availability
- Nasheeka performs close to the audience.
- In the beginning of the performance, Nasheeka touches some of the audience.
- The audience can be gently touched by some of the fabrics during the performance.
Early boarding
If, for artistic reasons, the door to the auditorium does not open until very shortly before the performance begins, there is the option of early boarding.
Tickets
- Reservations can be made via the ticket telephone at 030 283 52 66, Monday to Friday from 4pm-6pm
- Via the online ticket shop
- At the box office
You can also find more information about accessibility here.
Nasheeka Nedsreal is a Berlin-based, multidisciplinary artist and performer working with movement, sound and visual art mediums. Exploring subjects related to identity, ritual, play and improvisation, her work incorporates use of voice, collage, found objects, textiles and masking. Her creative journey is underpinned by a commitment to experimentalism and cross-disciplinary collaboration. She is currently a member of the Schauspielhaus Zurich Dance Ensemble and a recent resident artist at Black Rock Senegal.
Concept, Choreography, Performance: Nasheeka Nedsreal
Sound: Ari Robey Lawrence
Light: Raquel Rosildete
Video: Zé de Pavia, Kathleen Kunath
Dramaturgical Support: Dandan Liu
Special thanks to: Malika Stürznickel, Gabrielle von Wäre, Mateusz Szymanówka
A production by Nasheeka Nedsreal in co-production with Sophiensæle. The 33rd Tanztage Berlin are a production of Sophiensæle. Funded by the Senate Department for Culture and Social Cohesion and the Capital Cultural Fund (HKF). With the kind support of Tanzfabrik Berlin e. V., Theaterhaus Berlin Mitte. Media partners: Berlin Art Link, Missy, Siegessäule and taz.